If you’ve been following my Hermès anniversary story, you already know that the special order experience was only part of what happened that Friday afternoon. We had just wrapped up the thrilling (and slightly head-spinning) process of designing an exotic à la carte piece to mark our milestone anniversary – detailed step-by-step in Part One. If you haven’t read that first chapter yet, I’d suggest starting there to get the full story, because our appointment was far from over.

Read:The Exotic Hermès À La Carte Created For Our Milestone Anniversary

hermes special order 2026, hermes Bordeaux, hermes exotic

The family photo once the Hermès special order was submitted.

Once the special order deliberations were wrapped up, there were a few more orders of business to be taken care of.

First, our sales associate had selected a reversible jacket for Mr. PurseBop. It was absolutely scrumptiously delicious, reversing from a Biscoff biscuit gold – very smooth lambskin to black lamb in a very typical bomber style.

There were two concerns. First, the black side looked very similar to the runway jacket he had bought last year. Sure, the design was slightly different, but truthfully, nobody would know the difference if he was wearing one or the other. And secondly, and more importantly, it felt a tad snug.

You can see in the distance the pieces waiting for us on the table ;)

Not the best photo of this jacket but you get the idea.

Then came a small rectangular box. . .

Too small, or rather too shallow, to be a Kelly Pochette and in proportions I didn’t immediately recognize.

As my sales associate lifted the cover, he uttered the words, “I pulled this aside as soon as I saw it because I know how much you love Box leather.“

Side note* – these boxes and ribbons were embellished by moi. I have been influenced by the “whimsy maxxing” trend on instagram. Ordered the stickers from Amazon and then one evening sitting on the lanai under the heaters I began my art project, lol. I keep telling you there’s still so much little girl in me 💁🏻‍♀️.

Should we call it ‘Hermès maxxing’ instead of ‘whimsy maxxing’…

The second box will be part III. Soon..

Well, he was absolutely right. Box calfskin is probably one of my favorite Hermès heritage leathers, despite its somewhat delicate nature. That glossy sheen is simply unbeatable, and there is something about the way it catches the light that makes Box feel so striking.

As the paper lifted, I saw what truly looked like a chocolate bar sitting before me. Milk chocolate, that is, in the form of a Hermès Constance To Go.

The color is called Terre. It’s a new color for Box leather for 2026, and I immediately knew this color and leather combo would be a hit.

A New Heritage Era: Hermès Terre in Box Calfskin

For those unfamiliar with Terre, the name literally translates to Earth — but leave it to Hermès to take “earthy” and give it a decidedly luxurious twist. Historically, Terre has appeared in a range of leathers, from gained and textured options like Fjord, Epsom, and Volynka to Chèvre and exotic skins. But seeing this shade rendered in Box calfskin for 2026 is a total revelation. It elevates the classic earthy tone into something sophisticated.

Compared to Hermès’ other legendary browns, Terre lands in a delicious sweet spot all its own, sitting right between the bright, iconic camel tone of Gold and the espresso depth of Chocolat. It’s a rich mahogany brown with distinct warm red undertones, straddling a classic chocolate neutral and deep shades like Rouge Sellier.

For 2026, Hermès has introduced Terre in Box calfskin across a very select range of silhouettes so far – including the iconic Mini Kelly 20, the Constance 18, and of course, this little Constance To Go.

photo credit: @thehermesclub

My Love for Box Leather

Perhaps if this Constance To Go had been presented in regular Epsom or Chèvre, I may not have been tempted. But anything in Box leather and I begin to drool. Which brings me to the absolute magic that is Box calfskin…

Box is one of Hermès’ oldest heritage leathers, and for me, that smooth, glossy surface is what makes it so irresistible. There is something about the way it catches the light that gives even the most minimalist silhouette a little extra presence. It feels polished, structured and just a touch more special.

Of course, the downside is that Box can be delicate and scratches easily, so it does require a little care. But honestly, that’s a small price to pay for that incredible sheen. And as anyone with a weakness for Box calfskin will tell you, sometimes you just have to accept a little babying when the leather looks this good. More importantly, you must embrace and enjoy the imperfections from use as a part of its beauty and experience.

Up until now, I have managed to collect a few very prized pieces in Box, but all thus far in Black. My first was the Mini Kelly Clouté, one of my ultimate prized possessions that I fell head over heels for at my very first Hermès Paris runway show.

Last year, I added the Mini Médor in Black Box, which continuously serves as the dramatic accent to any ensemble despite its unique shape. And earlier this year, I fell for the sleek Sanglons Clutch with its oversized Kelly buckle.

To me, Box leather just has a certain elevated, distinct vibe. The way it reflects light gives it an edge that no other leather quite gives it, especially in these smaller, evening-driven styles.

And now, for the first time, I was looking at that same glossy leather in brown. I could already see myself reaching for it far beyond evening occasions. Somehow, moving away from Black made Box feel completely different to me.

My Love for the Constance To Go

Once I realized what was sitting inside that little orange box, there wasn’t much deliberation to be had. Although the Constance To Go sits within Hermès’ small leather goods division, the distinction has never really mattered to me. I already knew I loved the style, and seeing it in Box Terre? Well, I was sold.

Last fall, I impulsively purchased a Constance To Go in Rome in Graphite shiny gator 🐊. Little did I know how fond I would become of this multifunctional accessory.

Equipped with a long strap, the Constance To Go can be worn as a crossbody bag, like the Chanel WOC (Wallet on Chain), or hand carried as a clutch, which is how I use it. On occasion, I also use the versatile piece as a travel wallet nestled inside a larger bag for a weekend away. It has tremendous capacity. Even a slim lipstick can be snuck in without disrupting the shape.

So when this Terre beauty appeared in front of me, I had no doubt that it would earn plenty of time in my rotation. In other words, it ticked every box: a style I already knew I adored, a leather I had a serious weakness for, and a color that was opening up a completely different direction in my collection. How could I say no?

My Love for Non-Quota Bags

There is another reason this little Constance To Go felt right.

Over the years, I have developed a deeper appreciation and desire for the non-quota Hermès bags.

In earlier years of collecting, my sights were set almost exclusively on the Birkin and Kelly. But with time and experience, my appreciation for understated, unexpected silhouettes soared. The thrill now sometimes comes from carrying something outside the quota spotlight, but still steeped in Hermès heritage. And truth be told? These are often the bags I reach for most in my daily life.

But for me, the appeal of a non-quota bag often comes down to the details – a slight twist that makes an otherwise simple design feel distinct. Take the Micro Picotins, for instance. A Picotin on its own is a classic, but in a micro proportion and crafted from exotics — like my Vert d’Eau matte alligator and Bubblegum Pink ostrich — it becomes an instant conversation piece. Or then take my love for exceptional Constance bags in extremely rare Himalayan and Lizard skins.

Box leather non quota bags.

That exact same ethos is what drew me to this Constance To Go. This wasn’t about gambling on an unfamiliar silhouette – it was about revisiting a favorite. Taking a tried-and-tested style I already adore, but experiencing it through a heritage leather in a rich, drool-worthy neutral. And then, of course, playing softly in the back of my mind were those faint whispers circulating around our community that the Constance To Go may one day be retired. Should those speculations prove true, adding just one more to my collection felt entirely justified.

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The Beginning of My Brown Era

In my last special order article, I discussed in great detail my newfound appreciation for neutrals. Yes, we’re talking about beiges and blues and grays. But there’s one area that I’ve just started to dip my toes into, and that is brown.

Interestingly enough, on one of my recent visits to Hermès, I fell for the idea of a brown suede boot with gold hardware. Lo and behold, they actually did exist in some part of the Hermès iPad! My SA scrolled right to them – Hermès’ iconic Jumping Boot, reimagined in plush Marron Ébene suede goatskin and finished with the signature Kelly buckle in Permabrass – a slightly softer, muted take on gold hardware. Naturally, they were ordered immediately.

Call it manifesting or whatever you’d like, but I foresee this appreciation for brown expanding into a full blown passion. It’s really exciting for me when I gravitate toward something fresh because it allows me to explore it from every aspect.

Imagine the possibilities – a brown leather trench, possibly a bomber, leather pants… we have the suede Jumping Boots, and now this Constance To Go. We’re definitely onto something here, and I’m so excited to see how this color story unfolds in my closet.